Cante, Baile, Percusion
Irene Rimer founded Corazon Flamenco in Birmingham, Alabama, in May of 2006.
Music is mathematics, and Flamenco with its rich mix of Jewish, Muslim, Christian, and Romani background influenced by the Mozarabic rite, is the best example of it. As the number 12 is the number of completion of a spiral in the measure of time, so is our basic Compas in Flamenco based on a 12-beat count, and divided in halves, fourths, and thirds to perform different rhythms.
Ms. Rimer advocates the acquisition of rhythmic precision in order to achive alignment with the universal law of rhythm from which all can benefit in all areas of life.
The group's goal is the entertainment and education of audiences in the art and culture of Flamenco, the art of the gypsies, by offering an annual professional performance with guest musicians from surrounding areas and from Spain at a variety of venues, offering lectures on the origins and roots of Flamenco focusing on schools and universities, teaching dance workshops that include the different rythms of Flamenco, and teaching regular classes for all levels.
MEMBERS OF CORAZON FLAMENCO
Tony Arnold, began studying classical and flamenco guitar in 1960 after seeing his first concert by the great Sabicas. He studied for 8 years with Carlos Ramos, who was, like Sabicas, a student of Ramon Montoya, who first brought the flamenco guitar to the concert stage as a solo instrument. During that time he also worked at the Smithsonian Institution musical instrument restoration laboratory and appeared regularly at the King's Contrivance near Washington D.C. He also played several concerts with Grigor Grigorian in the Washington area. After serving as a naval officer (1970-1973) he continued to study flamenco guitar with Rafael Morales in Granada, then divided his attention between flamenco and his education, earning several degrees in geology, and finishing with a PhD from Harvard in evolutionary paleontology under Stephen Jay Gould. He went on to teach geology at Brown University and then at Florida State University where he is now a tenured professor. During this time he continued to pursue his study of flamenco guitar. He and his wife also own and operate an oriental rug store.
Roberto Verdi's first exposure to Flamenco was at the age of 14 when he heard his visiting troubadour brother playing the guitar. Four years later, while attending a Jose Greco concert, he developed a true passion for the music. The next day, with no musical experience, he began his studies with a cheap guitar and a simple instruction booklet, playing several hours a day. A year later he moved to California and studied with Fiederico Mejia. He worked with the Birmingham Hispanic Dance Company and joined Irene Rimer's Corazon Flamenco in May of 2006. More recently, Roberto has drawn most of his musical inspiration from Manolo Vargas,who he has studied with on numerous visits to California.
Dr. Robert Adler is one of the founding members of the Birmingham Hispanic Dance Company. He began his Spanish dance training in 1984 with Hispanic Dance Olé (HDO). Since then, he has worked with a number of professional artists in the U.S. and Spain: along with Mr. Parra and Ms. SidAhmed, Robert has worked with Patri Nader of San José, CA; Dame Libby Komaiko of Chicago; in Spain, with José de Udaeta of Barcelona, María Mercedes León, Pacita Tomás, and Joaquin Villa of Madrid. In addition to regular BHDC concerts and shows, Robert performs at cultural festivals all over the State of Alabama, and does flamenco lecture/dems for schools, colleges and universities throughout the state. As a university professor of Spanish, Robert teaches the language, literature, culture, and history of Spain and Latin America. While visiting Latin America and Spain for teaching and research, he gathers musical and artistic materials to keep BHDC’s work authentic and up-to-date. He has been training under Irene Rimer and a member of Corazon Flamenco since 2006.
Victoria Langdon was the Birmingham Hispanic Dance Company Artistic Director. She began her dance training as a young girl. Growing up in Washington, DC, she studied under Mary Day at the Washington School of Ballet, and, among other works, Victoria appeared in The Nutcracker and The Flower Drum Song. When Victoria moved to Charlotte, NC, she trained and performed with the Gay Porter Dance Company. After attending the Mercy School of Nursing and later becoming a Registered Respiratory Therapist, her career took her to Atlanta, where she discovered her love of ballroom dancing. After winning 1st, 2nd, and 3rd place in waltz, cha cha, and swing in a pro-am competition, Victoria taught ballroom for several years until she married and moved to Birmingham. Victoria then became a student with the State of Alabama Ballet and with Southern Danceworks, where she trained in modern and jazz under Mary Foshee. Laura Knox, founder of Hispanic Dance Olé, inspired Victoria’s love for Hispanic dance. Victoria has attended numerous workshops, primarily with the renowned Mariano Parra, and later with Luis Montero, Ciro, Libby Komaiko Fleming, La Tati, Manolo Rivera, Antonio Canales, José de Udaeta, Andrea del Conte, Patri Nader, and the late Roberto Lorca. She now trains under Irene Rimer and is a solo dancer member of Corazon Flamenco.
Ilene Brill was a member of the Birmingham Hispanic Dance Company. She studied under Laura Knox, Mariano Parra, Victoria Langdon, Martha Sidahmed, Laura Garrigues, and now Irene Rimer. She has attended numerous workshops taught by members of the Maria Benitez's company, Lyda Torrea, Luis Montero, Ciro, Paco del Puerto, and Theresa Cullen. Ilene is most grateful to the memory of Melanie Mihalik for her ballet training and for her past support of all her dance endeavors. She also thanks her local modern dance teachers Edie Barnes, Mary Foshee, and Teri Weksler. Ilene continues to study ballet with Tara Fasshauer and has studied Argentine Tango with Sara Alvarez and Roswell Pfister.
Ana Diaz "La Canela" is an Engineer and works in the steel industry. She moved from Barquisimeto, Venezuela to Birmingham in 2006 after finishing her studies of Metallurgical Engineering at the Universidad Nacional Experimental Politecnica "Antonio Jose de Sucre" (UNEXPO-Barquisimeto)
She has been dancing Flamenco since the age of four and was under Antonio Lopez from Granada for ten years. She resumed flamenco training in 2009 with Irene Rimer and has since then been dancing as part of Corazon Flamenco.
Julia Navakas Stork performed forlk dances of her native Lithuania. She became "Miss Julie of Romper Room" at WKAB-TV in Montgomery, AL, where she saw her first professional Flamenco show. She travelled to Spain to experience dancers on their home turf. She teaches psychology and business to students at JSCC, volunteers as a docent at the Birmingham Museum of Art, and indulges in her love of Flamenco. Julie has studied with Laura Knox, Laura Garrigues, and Irene Rimer.
Kathleen Berecek is a professor of Physiology and Biophysics at UAB. Kathleen has had a lifetime passion for and commitment to dance (tap, ballet, folk, jazz, character, modern and flamenco) She studied flamenco with Laura Knox, Jose de Udaeta, Mercedes y Albano, Pacita Tomas, Patri Nader, Mariano Parra, Martha Sidahmed, Laura Garrigues, and Irene Rimer; she was a former member of Birmingham Hispanic Dance Company.